The Golden Quran in the calligraphy of Ahmad Nirzi, one of the calligraphers of the Iranian script and scribes called the Holy Quran, (twelfth century AH, late Safavid period) and the design and book design of Amir Hoshang Aghamiri after four years of effort and research Bringing a great achievement in the field of printing, 9 separate colors in gilding in Iran and reaching 100% quality began in 2003.

The artist of the book of ideas wanted this beautiful version to have a special look at this heavenly book from the perspective of aesthetics and psychology of colors, in addition to rhythmic and intertwined Khatai and Islamic motifs and geometric motifs.

The use of pure Iranian Islamic art such as ancestors in the art of manuscripts such as fuel on natural leather was done by the best bookbinders in Iran, and also gilding and gilding with 24 carat gold in both raw and baked methods (opaque and glossy) completely The traditional method (handicrafts) was gilded in the Aghamiri Art Institute with about two grams of 24-carat gold and covered with lacquer.

So that this pure work of pure Iranian art adorns museums.